Using copy stand techniques, I attempted to later the frozen sculptures in between layers of glass, the first images are showing you the layers and have a presence of their own.
During this series, I ran into problems of condensation on the glass, I also added water to remove and sand which resulted in this lovely dripping from layer to layer. I thought it suited the narrative, melting and layers. Kylie Naylor, 2020, Layers of trouble 1, image, Found plastic objects frozen, glass, photograph.Kylie Naylor, Layers of Trouble 2, 2020, image, found plastic, ice, glass, photograph. Kylie Naylor, Layer of Trouble 3, 2020, image, found plastic objects, ice, glass, photograph
This work is from above, I thought about the layers of plastic in the see that extend for miles. I was not repulsed by the refection of the plastic on the glass because I felt that it added yet another abstract layer.Kylie Naylor, Layers of Trouble 4, 2020, image, found plastic objects, frozen, layered glass, photograph. Kylie Naylor, Layers of Trouble, 2020, found plastic objects, frozen, layered glass, photograph.Kylie Naylor, Teddy, 2020, image, found plastic, frozen, photograph.
For the last group in this series, I focused on zooming in and isolating a group of plastic, I wanted to capture the overwhelming magnitude, filling my frame with no breathing room and no where to rest from the plastic.
The plastic bundles were a process to continue to attempt to wrap and bind the frozen plastic, however it melted quickly and the layers moved around with the water so it became a precarious shoot, which I had to eventually about to save any broken glass.
Kylie Naylor, Do Not Eat, 2020, image, found plastic object frozen, photograph. Kylie Naylor, Plastic Bullet, 2020, image, found plastic objects, frozen, photograph. Kylie Naylor, Lipgloss, 2020, image, found plastic objects frozen, photograph. Kylie Naylor, Lids, 2020, image, found plastic objects, photograph. Kylie Naylor, Baby Yogurt, 2020, image, found plastic objects, frozen, photograph.
CAVA 390 